Or that's how I refer to it anyway. These days, there seems to be a lot of cable drama shows out there about people who live outside of the norm, people who do repugnant- and sometimes very illegal- things. For example, there’s Dexter, a show about a serial killer named Dexter Morgan (hence the name of the show) who commits murder, but only in certain circumstances. He's a serial killer operating under a code of honor. Thus far, Dexter Morgan has not deviated from the code taught to him by his adoptive father, Harry Morgan, who had a distinguished career as a cop. The code? Only kill "bad" people, something that makes Dexter a kind of vigilante serial killer. For example, in an episode from season one, Dexter kills a husband and wife engaged in human trafficking.Dexter is not without his share of psychological baggage. At age three, his mother was brutally murdered before his eyes. Harry was the cop who found Dexter and ended up adopting and raising Dexter as his son. One would expect an incident like this to have a lingering effect on the young boy, of course, and young Dexter grows up feeling very little empathy for others; he is socially stunted, unable to understand even the basics of human interaction or the nuances that color and shape relationships.
And he has unexplainable urges to kill. First animals and later people. Harry becomes aware of his son's urges and decides to teach Dexter how to blend in, subdue the powerful urges and avoid detection and suspicion. Sounds like a recipe for a horribly offense tv show, right? It certainly doesn't play out that way. I will say, though, that Dexter is not for the faint of heart.
I have other favorites. The Sopranos, now defunct, was a series about the trials and tribulations of a New Jersey crime boss. It had the distinction of being HBO’s most successful drama for several years running. Big Love, a show that will likely get monster ratings once it returns to the airwaves given recent events in Texas, is about a polygamist and his three wives. Weeds is a show about a suburban housewife who decides to become a drug dealer to make ends meet after her husband dies of a heart attack.
Why do I watch these shows? They're compelling dramas, told so well that I'm easily drawn into the plights of the main characters and their families. Plus, the main characters are likeable people. They're smart, funny, and human, each struggling with many of the same issues I face every day.
It’s certainly not my goal to come across as preachy, particularly since that would be more than a little suspect and hypocritical since I love to watch all of the shows I've mentioned. Yet I find myself wondering what trajectory television dramas like these will follow over the next few years. They tend to blur the lines between what's right and what's wrong, leaving everything an interesting shade of relativistic gray. You might never expect to find yourself cheering for a criminal, but these shows cause you to do so and feel good in the process. Is it conceivable- based on the success of these shows- that we might see dramas like these on the air soon?
· A Skinhead who kills gang members from minority groups whose crimes affect or victimize not only caucasians, but people from all races and ethnicities
· A level three sexual offender who is somehow able to moonlight as a substitute teacher because she needs money to pay for her mother’s chemotherapy and other medical expenses
· A bank robber who robs banks because he has a compulsive gambling addiction that originated around the time his wife left him for his best friend.
Doesn’t sound all that realistic, right? I sure hope not. Then again, when the reality TV show ‘Survivor’ first debuted in America, virtually no one knew that reality shows would quickly become a staple of the weekly show schedule. It just takes one monstrously successful "Who Wants to Be a Millionaire?", "Survivor", or "American Idol" to transform the landscape for the rest of the television and entertainment industry for untold years to come. And make the executives and the networks they work for a ton of money.
Maybe I’m making too much of this trend thing; maybe it’s not really a trend at all. Truth is, we have always elevated, mythologized, and romanticized the reprehensible actions of the few. Witness such films as Butch Cassidy and the Sundance Kid, The Godfather, Bonnie & Clyde, Set it Off, Pulp Fiction, to name just a few. We like these movies. Hey, I like these movies.
And so the real question is not whether the so-called "drama of deviance" will continue. Cable and television networks will always follow the masses and the advertising dollars attached to having large numbers of viewers; if we stop coming, they’ll stop building.
The real question is whether we’ll keep coming.

